{"id":27201,"date":"2025-12-14T02:45:28","date_gmt":"2025-12-14T02:45:28","guid":{"rendered":"https:\/\/www.elailan.com\/?p=27201"},"modified":"2025-12-14T02:45:33","modified_gmt":"2025-12-14T02:45:33","slug":"song-dynasty-cizhou-kiln-pillow-with-double-deer-design","status":"publish","type":"post","link":"https:\/\/www.elailan.com\/pt\/2025\/12\/14\/song-dynasty-cizhou-kiln-pillow-with-double-deer-design\/","title":{"rendered":"Song Dynasty, Cizhou Kiln Pillow with Double Deer Design"},"content":{"rendered":"<h3 class=\"wp-block-heading\"><strong>I. Basic Object Information<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Period:<\/strong>\u00a0Song Dynasty (typically referring to the Jin to early Yuan period, circa 12th\u201313th centuries)<\/li>\n\n\n\n<li><strong>Kiln:<\/strong>\u00a0Cizhou Kiln (North China folk kiln system)<\/li>\n\n\n\n<li><strong>Type:<\/strong>\u00a0Porcelain pillow (likely oval, rectangular, or ingot-shaped)<\/li>\n\n\n\n<li><strong>Decoration Technique:<\/strong>\u00a0<em>Baid\u00ed H\u0113ihu\u0101<\/em>\u00a0(white ground with black painting) or carved design on black ground<\/li>\n\n\n\n<li><strong>Decorative Theme:<\/strong>\u00a0Double deer motif (often accompanied by forests, clouds, and plants)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>II. Symbolism and Cultural Significance of the Motif<\/strong><\/h3>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li><strong>Symbolism of the Deer:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong>Auspiciousness and Longevity:<\/strong>\u00a0The Chinese word for deer (<em>lu<\/em>\u00a0\u9e7f) is a homophone for &#8220;official salary&#8221; or &#8220;blessing&#8221; (<em>lu<\/em>\u00a0\u7984), symbolizing good fortune and prosperity. As a mythical creature associated with immortality, the deer often appears alongside the God of Longevity, pine trees, and cranes, representing longevity.<\/li>\n\n\n\n<li><strong>Nature and Reclusion:<\/strong>\u00a0Deer dwelling in mountain forests resonate with the Song literati&#8217;s ideal of &#8220;retreat to forests and springs,&#8221; reflecting an aesthetic appreciation for natural simplicity.<\/li>\n\n\n\n<li><strong>Harmony:<\/strong>\u00a0The\u00a0<em>Book of Songs<\/em>\u00a0contains the &#8220;Deer Cry&#8221; section, using deer as a metaphor for harmonious relations between host and guest, implying a vision of social accord.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Composition and Appeal of the Double Deer:<\/strong>\n<ul class=\"wp-block-list\">\n<li>Common compositions include &#8220;two deer walking side-by-side&#8221; or &#8220;one looking back, one gazing forward,&#8221; creating dynamic, lifelike poses with a sense of narrative.<\/li>\n\n\n\n<li>The background is often supplemented with simplified elements like rocks, grasses, and flowing clouds, evoking a &#8220;wild, rustic mountain forest&#8221; atmosphere. The composition is sparse yet vibrant.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>III. Technique and Artistic Characteristics<\/strong><\/h3>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li><strong>Typical Techniques:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong><em>Baid\u00ed H\u0113ihu\u0101<\/em>\u00a0(White ground with black painting):<\/strong>\u00a0The design is painted with iron pigment on a white slip ground, then covered with a transparent glaze and fired at high temperature. This creates a striking contrast between black and white with a free, spontaneous brushwork effect.<\/li>\n\n\n\n<li><strong>Carving Technique:<\/strong>\u00a0Alternatively, it might use a carved design on a black ground. The entire surface is first covered with black pigment, and then the deer motif is carved out, leaving the design in reserved white slip, creating a raised, bas-relief effect.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Painting Style Characteristics:<\/strong>\n<ul class=\"wp-block-list\">\n<li>The folk kiln artisans employed a bold, unrestrained, and fluid brushwork style reminiscent of freehand ink painting. The deer&#8217;s form, texture, and movement are captured with minimal yet highly expressive strokes.<\/li>\n\n\n\n<li>The composition emphasizes the interplay between solid and void (positive and negative space). The empty spaces suggest clouds or open land, reflecting the Song aesthetic principle of &#8220;using blank space as meaningful form.&#8221;<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>IV. Historical Context and Function<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function of Porcelain Pillows:<\/strong>\u00a0During the Song and Jin periods, porcelain pillows served multiple purposes: as cool sleeping aids, summer comfort items, and burial objects. Pillows with double deer motifs were likely used during life, carrying auspicious wishes.<\/li>\n\n\n\n<li><strong>Folk Kiln Adaptability:<\/strong>\u00a0Cizhou ware decoration catered to popular sentiment. The deer motif fused literati elegance with folk desires for blessings, reflecting the flourishing secular culture of the Song era.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>V. Key Appreciation Points<\/strong><\/h3>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li><strong>Uniqueness of Motif:<\/strong>\u00a0While less common than flower-and-bird or fierce beast designs on Cizhou ware, double deer motifs are particularly valued when executed with high craftsmanship.<\/li>\n\n\n\n<li><strong>Quality of Painting:<\/strong>\u00a0Focus on whether the deer&#8217;s postures are natural and lively, the brushstrokes are powerful and confident, and the black pigment is deep, dark, and lustrous.<\/li>\n\n\n\n<li><strong>Glaze Color and Body:<\/strong>\u00a0The glaze surface should be glossy; the white ground, pure; and the black pigment, lacquer-like. The body should be firm, with exposed areas showing the typical grayish-white or grayish-brown Cizhou clay.<\/li>\n\n\n\n<li><strong>Period Style:<\/strong>\u00a0Jin Dynasty deer motifs tend to be robust and vigorous, while Yuan Dynasty designs gradually become denser. Judging the specific era requires considering the form and decorative details.<\/li>\n<\/ol>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>VI. Market and Collectible Value<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pillows with double deer motifs are highly sought after in the market due to their auspicious theme and relative rarity, especially those with exquisite painting and excellent condition.<\/li>\n\n\n\n<li>Their value lies not only in their craftsmanship but also in how they embody the Song-Jin period&#8217;s aesthetic spirit of\u00a0<strong>&#8220;harmony between nature and human culture.&#8221;<\/strong>\u00a0They are exemplary pieces showcasing the fusion of folk kiln art and literati taste.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Conclusion<\/strong><\/h3>\n\n\n\n<p>The&nbsp;<strong>&#8220;Song Dynasty, Cizhou Kiln Pillow with Double Deer Design&#8221;<\/strong>&nbsp;is an artistic treasure that integrates&nbsp;<strong>folk auspicious symbolism, the literati&#8217;s ideal of mountainous reclusion, and superb folk kiln craftsmanship<\/strong>. It was not merely an elegant object in the daily life of Song people but also a vivid example from Chinese ceramic history of&nbsp;<strong>&#8220;appealing to both refined and popular tastes&#8221;<\/strong>\u2014using humble clay and unrestrained brushwork to outline an era&#8217;s longing for nature, prosperity, and a harmonious life.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"552\" height=\"406\" src=\"https:\/\/www.elailan.com\/wp-content\/uploads\/2025\/12\/Song-Dynasty-Cizhou-Kiln-Pillow-with-Double-Deer-Design.png\" alt=\"\" class=\"wp-image-27202\" srcset=\"https:\/\/www.elailan.com\/wp-content\/uploads\/2025\/12\/Song-Dynasty-Cizhou-Kiln-Pillow-with-Double-Deer-Design.png 552w, https:\/\/www.elailan.com\/wp-content\/uploads\/2025\/12\/Song-Dynasty-Cizhou-Kiln-Pillow-with-Double-Deer-Design-16x12.png 16w, https:\/\/www.elailan.com\/wp-content\/uploads\/2025\/12\/Song-Dynasty-Cizhou-Kiln-Pillow-with-Double-Deer-Design-430x316.png 430w, https:\/\/www.elailan.com\/wp-content\/uploads\/2025\/12\/Song-Dynasty-Cizhou-Kiln-Pillow-with-Double-Deer-Design-150x110.png 150w\" sizes=\"(max-width: 552px) 100vw, 552px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>I. Basic Object Information II. Symbolism and Cultural Significance of the Motif III. Technique and Artistic Characteristics IV. Historical Context<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[],"class_list":["post-27201","post","type-post","status-publish","format-standard","hentry","category-knowledge-popularization"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Song Dynasty, Cizhou Kiln Pillow with Double Deer Design - Experience Better Goods -Elailan<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.elailan.com\/pt\/2025\/12\/14\/song-dynasty-cizhou-kiln-pillow-with-double-deer-design\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Song Dynasty, Cizhou Kiln Pillow with Double Deer Design - Experience Better Goods -Elailan\" \/>\n<meta property=\"og:description\" content=\"I. 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