{"id":27472,"date":"2026-01-01T02:47:31","date_gmt":"2026-01-01T02:47:31","guid":{"rendered":"https:\/\/www.elailan.com\/?p=27472"},"modified":"2026-01-01T02:48:32","modified_gmt":"2026-01-01T02:48:32","slug":"southern-song-longquan-kiln-powder-green-glazed-bamboo-node-pattern-pot","status":"publish","type":"post","link":"https:\/\/www.elailan.com\/tr\/2026\/01\/01\/southern-song-longquan-kiln-powder-green-glazed-bamboo-node-pattern-pot\/","title":{"rendered":"Southern Song Longquan Kiln Powder-Green Glazed Bamboo-Node Pattern Pot"},"content":{"rendered":"<h3 class=\"wp-block-heading\">1.&nbsp;<strong>Kiln and Era: Southern Song Longquan Kiln<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Longquan Kiln<\/strong>: A famous celadon-producing kiln system in Chinese history, located in Longquan, Zhejiang. It began production during the Three Kingdoms and Jin dynasties and reached its\u00a0<strong>peak during the Southern Song Dynasty<\/strong>. Following the southward retreat of the imperial court, northern porcelain-making techniques spread south. Combined with the refined literati aesthetic of the Jiangnan region, Longquan Kiln developed the powder-green (<em>fenqing<\/em>) and plum-green (<em>meiziqing<\/em>) glazes, resembling fine jade and emerald waves, marking the pinnacle of Chinese celadon art.<\/li>\n\n\n\n<li><strong>Southern Song Style<\/strong>: It pursued archaic, elegant, and dignified forms. The shapes were simple, flowing, and graceful, emphasizing the beauty of the silhouette and glaze rather than elaborate decoration.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">2.&nbsp;<strong>Glaze Color: Powder-Green (<em>Fenqing<\/em>)<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Powder-green<\/strong>\u00a0is one of the classic glaze colors of Southern Song Longquan ware. It is an\u00a0<strong>opaque, milky, and matte<\/strong>\u00a0bluish-green glaze. Unlike transparent glassy glazes, it resembles\u00a0<strong>superior green jade<\/strong>, appearing warm, restrained, and emitting a soft, elegant luster.<\/li>\n\n\n\n<li>This color is achieved by introducing trace amounts of iron as a coloring agent into a lime-based glaze and strictly controlling the reducing atmosphere and temperature (approximately 1180-1230\u00b0C) inside the kiln. The glaze layer is typically thick but does not run; areas where glaze accumulates appear deeper in color and more watery.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">3.&nbsp;<strong>Form and Decoration: Bamboo-Node Pattern Pot<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Form of the Pot<\/strong>: Song dynasty ceramic pots came in various styles. This piece is likely a\u00a0<strong>ewer<\/strong>\u00a0(with a handle and spout) or a\u00a0<strong>swing-handle pot<\/strong>. The overall shape should appear upright and elegant.<\/li>\n\n\n\n<li><strong>Bamboo-Node Pattern<\/strong>: This is the core decorative theme of the object.\n<ul class=\"wp-block-list\">\n<li><strong>Cultural Significance<\/strong>: The bamboo was a symbol of the &#8220;gentleman culture&#8221; among Song literati, representing integrity, humility, and noble character. Using bamboo nodes as decoration reflects the refined taste of the user or maker.<\/li>\n\n\n\n<li><strong>Artistic Execution<\/strong>: The bamboo-node pattern usually appears in the form of\u00a0<strong>low-relief<\/strong>\u00a0or\u00a0<strong>incised\/engraved design<\/strong>. Artisans would skillfully mold or carve the\u00a0<strong>segmented form of bamboo stalks<\/strong>\u00a0on the pot&#8217;s body, handle, spout, or even lid, sometimes accompanied by a few bamboo leaves, creating a vivid and natural effect. This decoration, combined with the powder-green glaze, appears exceptionally pure and elegant.<\/li>\n\n\n\n<li><strong>Unity of Function and Aesthetics<\/strong>: The bamboo-node-shaped handle is not only beautiful but also functional, providing a non-slip grip. This reflects the Song dynasty ceramic design philosophy of &#8220;investigating things to extend knowledge to practical use&#8221; (<em>gewu zhiyong<\/em>).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">4.&nbsp;<strong>Technical Characteristics<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Thick Glaze Technique<\/strong>: Southern Song Longquan ware employed a multi-layered glazing process, resulting in a rich, jade-like glaze layer.<\/li>\n\n\n\n<li><strong>&#8220;Chujin&#8221; Effect<\/strong>: On raised areas like the edges of the relief bamboo nodes, the glaze layer is thinner, subtly revealing the pale color of the body clay (grayish-white or grayish-black). This forms a natural white line called &#8220;chujin&#8221; (literally &#8220;exposed tendon&#8221;). It enhances the three-dimensionality of the decoration and is a distinctive technical feature of Longquan ware.<\/li>\n\n\n\n<li><strong>Body<\/strong>: The clay body is fine, hard, and mostly grayish-white, complementing the powder-green glaze perfectly.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">5.&nbsp;<strong>Collection and Value<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Such objects are among the finest products of the Longquan Kiln, perfectly integrating the\u00a0<strong>classic powder-green glaze<\/strong>\u00a0with the\u00a0<strong>literati-inspired bamboo-node pattern<\/strong>. They have been highly treasured by collectors throughout history.<\/li>\n\n\n\n<li>In today&#8217;s international art market, Southern Song Longquan powder-green glazed ceramics in excellent condition and with superb craftsmanship remain highlights of auctions, consistently achieving high prices.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Summary<\/strong><\/h3>\n\n\n\n<p>The object you described, the&nbsp;<strong>&#8220;Southern Song Longquan Kiln Powder-Green Glazed Bamboo-Node Pattern Pot,&#8221;<\/strong>&nbsp;is an&nbsp;<strong>artistic treasure that synthesizes the spirit of its era, cultural symbolism, and technical mastery<\/strong>. It was not merely a utilitarian vessel for wine or tea but also a physical embodiment of the life aesthetics and personal ideals of Southern Song literati and scholars. Its jade-like, warm powder-green glaze, paired with the bamboo-node pattern symbolizing a gentleman&#8217;s character, quietly narrates the aesthetic zenith of that elegant era eight hundred years ago.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"531\" height=\"409\" src=\"https:\/\/www.elailan.com\/wp-content\/uploads\/2026\/01\/Powder-Green-Glazed-Bamboo-Node-Pattern-Pot.png\" alt=\"\" class=\"wp-image-27473\" style=\"aspect-ratio:1.2982999044890162;width:508px;height:auto\" srcset=\"https:\/\/www.elailan.com\/wp-content\/uploads\/2026\/01\/Powder-Green-Glazed-Bamboo-Node-Pattern-Pot.png 531w, https:\/\/www.elailan.com\/wp-content\/uploads\/2026\/01\/Powder-Green-Glazed-Bamboo-Node-Pattern-Pot-16x12.png 16w, https:\/\/www.elailan.com\/wp-content\/uploads\/2026\/01\/Powder-Green-Glazed-Bamboo-Node-Pattern-Pot-430x331.png 430w, https:\/\/www.elailan.com\/wp-content\/uploads\/2026\/01\/Powder-Green-Glazed-Bamboo-Node-Pattern-Pot-150x116.png 150w\" sizes=\"(max-width: 531px) 100vw, 531px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>1.&nbsp;Kiln and Era: Southern Song Longquan Kiln 2.&nbsp;Glaze Color: Powder-Green (Fenqing) 3.&nbsp;Form and Decoration: Bamboo-Node Pattern Pot 4.&nbsp;Technical Characteristics 5.&nbsp;Collection<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[],"class_list":["post-27472","post","type-post","status-publish","format-standard","hentry","category-knowledge-popularization"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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